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Table Of Content

• You Can Now Sleep in the Ferrari Museum, Prince’s Purple Rain House, or the X-Men Mansion
• Le Otto Montagne, Felix Van Groeningen and Charlotte Vandermeersch at the heart of an unswerving friendship
• Interview: Felix Van Groeningen and Charlotte Vandermeersch on The Eight Mountains
• The Slamdance Film Festival is moving to Los Angeles with its next edition
• ‘The Eight Mountains’ Review: A Stirring, Sprawling, Epic and Intimate Tale of Friends in High Places
• Emma Stone, Nathan Fielder and A24 to Produce ‘Checkmate,’ Ben Mezrich’s Chess Scandal Story
• The Eight Mountains review – a movie with air in its lungs and love in its heart
• Making THE EIGHT MOUNTAINS

The actors bring all the intelligence such heart-rending delicacy requires, too, as cinematographer Gábor Marosi foregrounds their faces in flatly lighted widescreen images evocative of a dimly lighted existence. With deep, melancholy eyes you can imagine inspiring a painter, Hajduk keeps Aldó’s sorrow ever-present, even in the hint of a smile; the way his worry for “Sunny” (Klára’s nickname) becomes a quiet engine in the film is a low-key master’s class. ” I’ve just logged in to Zoom to talk to Belgian directors Felix van Groeningen and Charlotte Vandermeersch, and they’re laughing already. ” says Vandermeersch I flap around, fiddling with my webcam, but nothing will correct the me-shaped smear on the screen.

You Can Now Sleep in the Ferrari Museum, Prince’s Purple Rain House, or the X-Men Mansion

So poor Pietro leaves all over again, travelling in Nepal and becoming a celebrated writer, but consumed with the thought that his friendship with Bruno was the best of him – and Bruno was in some elemental sense the better man. The Aosta valley is depicted with magnificent sweep, and van Groeningen and Vandermeersch find a stratum of sadness under it, a kind of water table of tears. Some real mountain climbing is done in "The Eight Mountains," and some of the footage is awe-inspiring. The men go on hikes, stalking across the trails at the top, abysses opening up on either side. Bruno is comfortable in the mountains—he couldn't live anywhere else—and Pietro, whose workaholic dad really only came alive when he went on mountain hikes, becomes one of those wanderlust backpackers flooding into Tibet. The scene is especially moving because even by this point, fairly early in a picture that runs almost 2 ½ hours and spans a few decades, you already have a good understanding of who Pietro and Bruno are, how they live, what they long for.

Le Otto Montagne, Felix Van Groeningen and Charlotte Vandermeersch at the heart of an unswerving friendship

This lovely Charlotte interior designer has a full-service firm specializing in newly constructed homes and commercial spaces. She and her team will handle anything from space planning to selecting materials needed for the interior. One day back in Nepal, Pietro receives a call from Bruno who tells him that his pasture has been taken away and that Lara and their daughter is living with her family. He wants to spend some alone time at the house they built and would appreciate Pietro's company. One night, Bruno reminisces about the former happiness of his marriage; Pietro replies that he is a good father who should take up a regular job so he will not abandon his daughter like his father did him.

Interview: Felix Van Groeningen and Charlotte Vandermeersch on The Eight Mountains

You may occasionally receive promotional content from the Los Angeles Times. Van Groeningen noted that Marinelli and Borghi played friends before in Claudio Caligari’s gritty “Non essere cattivo” (“Don’t Be Bad”) which went to Venice in 2015. It was a time to sit back and reassess your way of living; our way as human beings on the planet to find new respect for the earth. The directors wrote the script during lockdown and both say it was “really nice” to be in the Alps and in Nepal, which are the film’s two main locations, at that particular time. This “trip that we made in our fantasy to these corners of the world during lockdown” seeped into the film, Vandermeersch noted.

“The Eight Mountains”: Lifelong Friendship is a Beautiful Hike - sundance.org - Sundance Institute

“The Eight Mountains”: Lifelong Friendship is a Beautiful Hike - sundance.org.

Posted: Wed, 25 Jan 2023 08:00:00 GMT [source]

Strangely, The Eight Mountains is the second film this year from Ghent-based directors, after Lukas Dhont’s Close, to feature a thicker-than-thieves young male friendship. “The resemblance is crazy,” says Vandermeersch, “even though our story moves over 30 years. Our boys also play with each other in a way that’s still innocent.” But it was actually the two directors, who are married with a young son, who were brought closer together by the film.

“The Eight Mountains” and “Rebel” Highlight Compelling Stories Beyond the Belgian Borders - Golden Globes

“The Eight Mountains” and “Rebel” Highlight Compelling Stories Beyond the Belgian Borders.

Posted: Wed, 01 Jun 2022 07:00:00 GMT [source]

In the months since, that disconnect has been playing in my head on a loop, and it’s come to feel like a metaphor for my own distance from the readers I write for — a distance I try my best to close with every review, every essay and, yes, every list like this one. One of the necessary privileges of being a critic is the opportunity to see new movies early, sometimes a week or two before they’re released (in the case of most studio pictures), and sometimes months in advance at film festivals. This year, my NYFF duties meant seeing more than a few major movies in unfinished form, which made them all the more intriguing to revisit later, with fresh eyes, when the time came to actually write about them. For both boys, their friendship proves a soul-sustaining connection, one that begins with them dubiously eyeing each other in Pietro’s dark, claustrophobic holiday home but that rapidly shifts once they dash outside. They walk, race and tumble through the area, exploring and sharing.

Emma Stone, Nathan Fielder and A24 to Produce ‘Checkmate,’ Ben Mezrich’s Chess Scandal Story

It’s Me, Margaret” and “Tótem” A young girl’s coming-of-age and her family’s joy and heartache are perfectly observed in both Kelly Fremon Craig’s underappreciated Judy Blume adaptation and Lila Avilés’ haunting work of poetic realism. “All Dirt Roads Taste of Salt” and “Earth Mama” A highly intelligent way with the camera and a deep, intuitive understanding of Black motherhood and childhood distinguished both of these sterling debut features. “About Dry Grasses” and “Godland”Two of the year’s most visually and intellectually immersive films, each pitting one very small man against a vast, sprawling landscape. “The Eight Mountains” is directed by Oscar-nominated Felix van Groeningen (“The Broken Circle Breakdown”) and Charlotte Vandermeesch. The cast includes Luca Marinelli, Alessandro Borghi, Lupo Barbiero, Cristiano Sassella, and Elisabetta Mazzullo. The Eight Mountains screened at the Cannes film festival, and is released on 12 May in UK cinemas.

The beauty of Celine Song’s emotionally intimate, philosophically expansive “Past Lives,” played with breathtaking understatement by Greta Lee and Teo Yoo, lies in the way romantic desire flickers but never fully ignites, leaving you to imagine what might have been. Meanwhile, the soul of “The Eight Mountains,” Felix van Groeningen and Charlotte Vandermeersch’s glorious male weepie, is in Alessandro Borghi and Luca Marinelli’s performances as boyhood peak pals, brought together by cliffs and ultimately separated by chasms. It is not being too facetious to call this the straight Brokeback Mountain. In building this rudimentary stone hut, they have attempted to rebuild their childhood, rebuild their love for each other. But Pietro is to make a terribly painful discovery that, in his long and bitter absence, his wounded father actually became a friend to the grownup Bruno, hiking with him in the valley and becoming a quasi-father to him. And, to add to the mortification of having his dad stolen from him by Bruno, Pietro finds that the young woman he is sort of interested in, is more interested in the unassuming Bruno.

A film like this needs time to establish the building blocks of the relationship and allow the breathing room necessary. Based on a slender, celebrated 2016 novel by the Italian writer Paolo Cognetti, “The Eight Mountains” tracks Pietro across both decades and continents, charting his life through the intense friendship that he makes in childhood with Bruno. They first meet in the summer of 1984, when Pietro’s parents — the family lives in Turin — rent an apartment in a village in the Aosta Valley, a shockingly beautiful swathe of the Italian Alps that borders both France and Switzerland. There, nestled among velvety green slopes and towered over by jagged, soaring peaks, Pietro finds a friend, an ally, a role model and, in time, a sense of belonging. The film tells the story of a close relationship between two young Italian boys who spent their childhoods together in a mountain village before going in different directions.

Amy Vermillion shares with us a glimpse into her favorite room design, along with how this primary bathroom was inspired and came together with gorgeous customized details. For her, going with the classics means that the spaces she works on will not only be simply stunning, but they’ll remain timeless as well. In addition, she’s genuinely passionate about what she does, and Anne always ensures to tastefully reflect her client’s personalities and wishes in their space. One day, Lara calls Pietro and tells him that a snowstorm buried the house and Bruno is nowhere to be found, possibly dead. When the snow starts to thaw, birds are seen scavenging on something partially buried in the snow, presumably Bruno. (This is related to an earlier discussion of the Nepalese “sky burial” ritual, where the deceased are left on the mountains for animals to consume).

Diel’s signature style perfectly reflects the balance of the city of Charlotte. Her years of living in faraway lands have helped her create a signature style that all of her clients love. Although you’ll find that Geri has a more euro-centric approach to her work, from the architecture to the overall environment to the space, she keeps grabbing attention with her awe-inspiring work. That’s how I came to watch Andrew Haigh’s “All of Us Strangers,” for me the best movie of 2023, first in an empty screening room with only a tight-lipped Searchlight-hired security guard present. It’s a film so breathtaking in its impact, it actually hurt not to be able to talk about it for another few months. On a completely different note, I saw Jonathan Glazer’s “The Zone of Interest” at a morning press screening at Cannes and couldn’t get its images out of my mind or its sounds out of my ears.

Years rush by — sometimes in a single, gasp-inducing edit — as the story skitters from one period to the next. It slows down again after the death of Pietro’s father (a terrific, intense Filippo Timi), which provokes some predictable oedipally haunted soul-searching for Pietro and, crucially, brings him back to the mountains and to Bruno. Bushy-bearded and face to face, the men effortlessly reconnect, resuming a friendship that — or so the story insists — has sustained them over time and great distances, allowing them to bridge the often yawning gaps between them. This was one of our favorite projects because the client is such a creative, talented, and trusting woman.

His mother Bea did “1,001 jobs”, including film industry work that helped set him on his course. With a chestnut ponytail and sharp-nosed, slightly gnomish face, the 45-year-old has more nervous energy than his wife, often scrubbing his head with his hands. Family tragedy brings them together again years later and inspires Pietro to begin fulfilling his late father’s (Filippo Timi) dream of building a mountainside cabin, a task for which he chooses to reunite with his old friend to help complete. The project brings them closer together than ever, yet forces both natural and societal exert their pull on the purity of their relationship. And Van Groeningen and Vandermeersch’s patient direction captures both the grandness and granularity of Pietro and Bruno’s story with sweeping scale and sincere emotion.

They started adapting the story, from Paolo Cognetti’s novel of the same name, during lockdown when their relationship was going through a rocky patch. With “existential questions” in the air, according to Van Groeningen, focusing on characters confronting themselves was apt. With over 15 years of experience on her plate, Tammy is one of the best Charlotte interior designers in the city. She has experience working with homeowners, contractors, custom home builders, other interior designers, contractors, and architects. She loves to have a more eclectic approach in her work, and you can see this from her experience.